This publication is protected and can be accessed only from certain IPs.
This publication is protected and can be accessed only from certain IPs.

Title: Czytanie sztuki?


Bal, Mieke ; Maryl, Maciej. Tł.

Date issued/created:


Resource Type:

Article : original article


Teksty Drugie Nr 1-2 (2012)



Place of publishing:



21 cm ; Tekst pol., streszcz. ang.


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5. J.L. Borges, Pierre Menard, autor Don Kichota, przeł. A. Sobol-Jurczykowski, w: tegoż Fikcje, Warszawa 2003, s. 58-59.
6. G. Butler, Arnold Schwarzenegger. A portrait, New York 1990.
7. H.P. Chapman, Rembrandt's self-portraits, Princeton 1990. Death and dissymmetry. The politics of coherence in the Book of Judges, Chicago 1988.
8. J. Culler, Framing the sign. Criticism and its institutions, Norman 1988.
9. M. Foucault, "Panny Dworskie"("Las Meninas"), przeł. A. Tatarkiewicz, w: tegoż Słowa i rzeczy. Archeologia nauk humanistycznych, t. 1, słowo/obraz terytoria, Gdańsk 2000, s. 21-38.
10. Generations and geographies in the visual arts. Feminist readings, ed. G. Pollock, Routledge, London 1996, s. 24-41.
11. M. Jay, Downcast eyes. The denigration of vision in twentieth-century french thought, Cambridge 1993.
12. T. Komendziński, Znak i jego ciągłość: semiotyka C.S. Peirce'a między precepcją i recepcją, Toruń 1996.
13. L. Marin, Contrepoints, w: L'effet trompe-l'oeil dans l'art et la psychanalyse, red. R. Court i inni, Paris, s. 86.
14. L. Marin, The iconic text and the theory of enunciation. Luca Signorelli at Loreto (circa 1479-1484), "New Literary History" 1983 no 14(3), s. 253-296.
15. L. Marin, Towards a theory of reading in the visual arts. Poussin's "The Arcadian Shepherds", w: Calligram, ed. N. Bryson, Cambridge 1988, s. 63-90.
16. Ch.S. Peirce, Logic as semiotic. The theory of signs, w: Semiotics. An introductory anthology, ed. R.E. Innis, Bloomington 1984, s. 9-19.
17. G. Pollock, Avant-garde gambits, 1888-1893. Gender and the colour of art history, London 1992.
18. J. Rajchman, Foucault's art of seeing, "October" 1988 no 44 s. 89-117.
19. J. Searle, Las Meninas and the Paradoxes of Pictorial Representation, "Critical Inquiry" 1980 no 6, s. 486.
20. L. Steinberg, The sexuality of Christ in Renaissance and modern oblivion, New York 1983.
21. L. Steinberg, Velázquez. Las Meninas, "October" 1981 no 19, s. 45-54.


Teksty Drugie



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Resource Identifier:

oai:rcin.org.pl:47162 ; 0867-0633 ; 10.18318/td.


IBL PAN, call no. P.I.2524 ; click here to follow the link



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Rights Reserved - Restricted Access

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Copyright-protected material. Access only on terminals at the Institute of Literary Research of the Polish Academy of Sciences, may be used within the limits of statutory user freedoms.

Digitizing institution:

Institute of Literary Research of the Polish Academy of Sciences

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund

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Last modified:

Dec 20, 2018

In our library since:

Jul 25, 2014

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Bal M. - Czytanie sztuki? Dec 20, 2018

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