Object

Title: Krajobrazy postpamięci

Creator:

Szczepan, Aleksandra

Date issued/created:

2014

Resource Type:

Article : original article

Subtitle:

Teksty Drugie Nr 1 (2014)

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

References:

1. J. Adams, Cities under a sky of mud: landscapes of mourning in Holocaust texts, w: Land and identity: theory, memory, and practice, ed. Ch. Berberich, N. Campbell, Rodopi, Amsterdam 2012, s. 146. ; 2. D. Apel, Memory effects: the Holocaust and the art of secondary witnessing, Rutgers University Press, New Brunswick–London 2002, s. 219. ; 3. U. Baer, Spectral evidence. The photography of trauma, The MIT Press, Cambridge–London 2002, s. 72. ; 4. K. Ball, For and against the „Bilderverbot”: the rhetoric of „Unrepresentability” and remediated „Authenticity” in the German reception of Steven Spielberg’s „Schindler’s List”, w: Visualizing the Holocaust: Documents, aesthetics, memory, ed. D. Bathrick, B. Prager, M.D. Richardson, Camden House, Rochester 2008, s. 163-185. ; 5. R. Barthes, Światło obrazu. Uwagi o fotografii, przeł. J. Trznadel, Wydawnictwo Aletheia, Warszawa 2008, s. 138, 151. ; 6. D. Bathrick, Introduction: Seeing against the grain: re-visualizing the Holocaust, w: Visualizing the Holocaust: Documents, aesthetics, memory, ed. D. Bathrick, B. Prager, M.D. Richardson, Camden House, Rochester 2008, s. 1. ; 7. C. Brink, Secular icons: looking at photographs from Nazi concentration camps, „History and Memory” 2000 vol. 12, no. 1, s. 137. ; 8. J. Cayrol, Nuit et brouillard, Fayard, Paris 1997, s. 17, 21; cyt. za: G. Didi-Huberman, Obrazy mimo wszystko, s. 162. ; 9. T. Cole, Crematoria, barracks, gateway: survivors’ return visits to the memory landscapes of Auschwitz, „History and Memory” 2013 vol. 25, no. 2. ; 10. T. Cole, Selling the Holocaust. From Auschwitz to Schindler. How history is bought, packed and sold, Routledge, New York 2000. ; 11. G. Didi-Huberman, Obrazy mimo wszystko, przeł. M. Kubiak Ho-Chi, Universitas, Kraków 2008. ; 12. G. Didi-Huberman, Site inspite of all, w: Claude Lanzmann’s „Shoah”. Key essays, ed. S. Liebman, Oxford University Press, Oxford–New York 2007, s. 114. ; 13. M. Gilbert, Holocaust journey: travelling in search of the past, Weidenfeld & Nicolson, London 1997, s. 122, 196. ; 14. V. Goldberg, The power of photography: how photographs changed our lives, Abbeville Press, New York 1991. ; 15. M.B. Hansen, Schindler’s List is not Shoah: the second commandment, popular modernism, and public memory, „Critical Inquiry” 1996 vol. 22, no. 2, s. 300-302 ; 16. G. Hartman, The longest shadow, Indiana University Press, Bloomington 1996, s. 152. ; 17. M. Hirsch, The generation of postmemory. Writing and visual culture after the Holocaust, Columbia University Press, New York 2012, s. 5. ; 18. M. Hirsch, Past lives: postmemories in exile, „Poetics Today” 1996 vol. 17, no. 4, s. 662. ; 19. M. Hirsch, L. Spitzer, Ghosts of home: the afterlife of Czernowitz in Jewish memory, University of California Press, Berkeley–London 2010, s. 230. ; click here to follow the link ; 20. E. Hoffman, After such knowledge. Memory, history, and the legacy of the Holocaust, Secker & Warburg, London 2004, s. 12. ; 21. E. Hoffman, Shtetl: the life and death of a small town and the world of Polish Jews, Houghton Mifflin, Boston 1997, s. 20, 21. ; 22. B.A. Kaplan, Landscapes of Holocaust postmemory, Routledge, New York–London 2011, s. 4. ; 23. R. Klüger, Żyć dalej…, przeł. M. Lubyk, Zakład Narodowy im. Ossolińskich, Wrocław 2009, s. 85, 157. ; 24. G. Koch, The aesthetic transformation of the image of the unimaginable: notes on Claude Lanzmann’s Shoah, przeł. J.O. Daniel, M. Hansen, „October” 1989 vol. 48, s. 21. ; 25. E. Kosofsky Sedgwick, Paranoid reading and reparative reading, or, you’re so paranoid, you probably think this essay is about you, w: tejże Touching, feeling: affect, pedagogy, performativity, Duke University Press, Durham–London 2003. ; 26. R. Krauss, Oryginalność awangardy, w: tejże, Oryginalność awangardy i inne mity modernistyczne, przeł. M. Szuba, słowo/obraz terytoria, Gdańsk 2011, s. 169. ; 27. R. Krauss, Notatki o indeksie. Część 1, w: tejże, Oryginalność awangardy i inne mity modernistyczne, przeł. M. Szuba, słowo/obraz terytoria, Gdańsk 2011, s. 203. ; 28. S. Küchler, Landscape as memory: the mapping of process and its representation in a Melanesian society, w: Landscape: politics and perspectives, ed. B. Bender, Berg, Providence, RI–Oxford 1993, s. 85-106. ; 29. D. LaCapra, Lanzmann’s „Shoah”: Here there is no why, w: tegoż, History and memory after Auschwitz, Cornell University Press, Ithaca 1998. ; 30. A. Landsberg, Prosthetic memory: the transformation of American remembrance in the age of mass culture, Columbia University Press, New York 2004, s. 20. ; 31. C. Lanzmann, R. Larson, D. Rodowick, Seminar with Claude Lanzmann, „Yale French Studies” 1990 no. 79, s. 97. ; 32. C. Lanzmann, Le monument contre l archive? (entretien avec Daniel Bougnoux, Régis Debray, Claude Mollard et al.), „Les Cahiers de médiologie” 2007 no. 11, s. 274, cyt. za: G. Didi-Huberman, Obrazy mimo wszystko, przeł. M. Kubiak Ho-Chi, Universitas, Kraków 2008, s. 124. ; 33. C. Lanzmann, Why Spielberg has distorted the truth, „Guardian Weekly”, 3 IV 1994. ; 34. P. Norra, Między pamięcią a historią: les lieux de mémoire, przeł. M. Borowski, M. Sugiera, „Didaskalia” 2011 nr 10. ; 35. M. Olin, Touching photographs, University of Chicago Press, Chicago 2012. ; 36. E. Panofsky, Et in Arcadia ego. Poussin i tradycja elegijna, przeł. A. Morawińska, w: tegoż, Studia z historii sztuki, red. J. Białostocki, Warszawa 1971. ; 37. Ch.S. Peirce, Wybór pism semiotycznych, przeł. R. Mirek, A.J. Nowak, Znak – Język – Rzeczywistość: Polskie Towarzystwo Semiotyczne, Warszawa 1997. ; 38. M. Rothberg, Between the extreme and the everyday: Ruth Klüger’s traumatic realism, w: Extremities. Trauma, testimony, and community, ed. N.K. Miller, J. Tougaw, University of Illinois Press, Urbana–Chicago 2002. ; 39. M. Rothberg, Traumatic realism. The demands of Holocaust representation, University of Minnesota Press, Minneapolis–London 2000. ; 40. S. Schama, Landscape and Memory, Fontana Press, London 1996. ; 41. K. Schramm, Landscapes of violence: memory and sacred space, „History and Memory” 2011 vol. 23, no. 1, s. 8. ; click here to follow the link ; 42. R. Sendyka, Pryzma – zrozumieć nie-miejsce pamięci, „Teksty Drugie” 2013 nr 1/2. ; 43. T. Snyder, Skrwawione ziemie. Europa między Hitlerem a Stalinem, Świat Książki, Warszawa 2011. ; 44. S. Sontag, O fotografii, przeł. S. Magała, Wydawnictwo Karakter, Kraków 2009. ; 45. M. Tulli, Włoskie szpilki, Wydawnictwo Nisza, Warszawa 2011, s. 66. ; 46. A. Whitehead, Geoffrey Hartmann and the ethics of place: landscape, memory, trauma, „European Journal of English Studies” 2003 vol. 7, no. 3, s. 288. ; 47. A. Whitehead, Trauma fiction, Edinburgh University Press, Edinburgh 2004, s. 49. ; 48. J.E. Young, The texture of memory: Holocaust memorials and meaning, Yale University Press, New Haven 1993. ; 49. B. Zelizer, Introduction: on visualizing the Holocaust, w: Visual culture and the Holocaust, ed. B. Zelizer, The Athlone Press, London 2001, s. 1. ; 50. B. Zelizer, Remembering to forget: Holocaust memory through the camera’s eye, The University of Chicago Press, Chicago–London 1998.

Relation:

Teksty Drugie

Issue:

1

Start page:

103

End page:

126

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:59512 ; oai:rcin.org.pl:59512 ; 0867-0633

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Free Access

Terms of use:

Copyright-protected material. May be used within the limits of statutory user freedoms

Digitizing institution:

Institute of Literary Research of the Polish Academy of Sciences

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund

Object collections:

Last modified:

Dec 20, 2018

In our library since:

Sep 21, 2016

Number of object content hits:

1 247

All available object's versions:

https://ww.w.rcin.org.pl/publication/78435

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Szczepan A. - Krajobrazy postpamięci Dec 20, 2018
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