Object

Title: Krajobrazy postpamięci

Creator:

Szczepan, Aleksandra

Date issued/created:

2014

Resource Type:

Article : original article

Subtitle:

Teksty Drugie Nr 1 (2014)

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

References:

1. J. Adams, Cities under a sky of mud: landscapes of mourning in Holocaust texts, w: Land and identity: theory, memory, and practice, ed. Ch. Berberich, N. Campbell, Rodopi, Amsterdam 2012, s. 146.
2. D. Apel, Memory effects: the Holocaust and the art of secondary witnessing, Rutgers University Press, New Brunswick–London 2002, s. 219.
3. U. Baer, Spectral evidence. The photography of trauma, The MIT Press, Cambridge–London 2002, s. 72.
4. K. Ball, For and against the „Bilderverbot”: the rhetoric of „Unrepresentability” and remediated „Authenticity” in the German reception of Steven Spielberg’s „Schindler’s List”, w: Visualizing the Holocaust: Documents, aesthetics, memory, ed. D. Bathrick, B. Prager, M.D. Richardson, Camden House, Rochester 2008, s. 163-185.
5. R. Barthes, Światło obrazu. Uwagi o fotografii, przeł. J. Trznadel, Wydawnictwo Aletheia, Warszawa 2008, s. 138, 151.
6. D. Bathrick, Introduction: Seeing against the grain: re-visualizing the Holocaust, w: Visualizing the Holocaust: Documents, aesthetics, memory, ed. D. Bathrick, B. Prager, M.D. Richardson, Camden House, Rochester 2008, s. 1.
7. C. Brink, Secular icons: looking at photographs from Nazi concentration camps, „History and Memory” 2000 vol. 12, no. 1, s. 137.
8. J. Cayrol, Nuit et brouillard, Fayard, Paris 1997, s. 17, 21; cyt. za: G. Didi-Huberman, Obrazy mimo wszystko, s. 162.
9. T. Cole, Crematoria, barracks, gateway: survivors’ return visits to the memory landscapes of Auschwitz, „History and Memory” 2013 vol. 25, no. 2.
10. T. Cole, Selling the Holocaust. From Auschwitz to Schindler. How history is bought, packed and sold, Routledge, New York 2000.
11. G. Didi-Huberman, Obrazy mimo wszystko, przeł. M. Kubiak Ho-Chi, Universitas, Kraków 2008.
12. G. Didi-Huberman, Site inspite of all, w: Claude Lanzmann’s „Shoah”. Key essays, ed. S. Liebman, Oxford University Press, Oxford–New York 2007, s. 114.
13. M. Gilbert, Holocaust journey: travelling in search of the past, Weidenfeld & Nicolson, London 1997, s. 122, 196.
14. V. Goldberg, The power of photography: how photographs changed our lives, Abbeville Press, New York 1991.
15. M.B. Hansen, Schindler’s List is not Shoah: the second commandment, popular modernism, and public memory, „Critical Inquiry” 1996 vol. 22, no. 2, s. 300-302
16. G. Hartman, The longest shadow, Indiana University Press, Bloomington 1996, s. 152.
17. M. Hirsch, The generation of postmemory. Writing and visual culture after the Holocaust, Columbia University Press, New York 2012, s. 5.
18. M. Hirsch, Past lives: postmemories in exile, „Poetics Today” 1996 vol. 17, no. 4, s. 662.
19. M. Hirsch, L. Spitzer, Ghosts of home: the afterlife of Czernowitz in Jewish memory, University of California Press, Berkeley–London 2010, s. 230.
click here to follow the link
20. E. Hoffman, After such knowledge. Memory, history, and the legacy of the Holocaust, Secker & Warburg, London 2004, s. 12.
21. E. Hoffman, Shtetl: the life and death of a small town and the world of Polish Jews, Houghton Mifflin, Boston 1997, s. 20, 21.
22. B.A. Kaplan, Landscapes of Holocaust postmemory, Routledge, New York–London 2011, s. 4.
23. R. Klüger, Żyć dalej…, przeł. M. Lubyk, Zakład Narodowy im. Ossolińskich, Wrocław 2009, s. 85, 157.
24. G. Koch, The aesthetic transformation of the image of the unimaginable: notes on Claude Lanzmann’s Shoah, przeł. J.O. Daniel, M. Hansen, „October” 1989 vol. 48, s. 21.
25. E. Kosofsky Sedgwick, Paranoid reading and reparative reading, or, you’re so paranoid, you probably think this essay is about you, w: tejże Touching, feeling: affect, pedagogy, performativity, Duke University Press, Durham–London 2003.
26. R. Krauss, Oryginalność awangardy, w: tejże, Oryginalność awangardy i inne mity modernistyczne, przeł. M. Szuba, słowo/obraz terytoria, Gdańsk 2011, s. 169.
27. R. Krauss, Notatki o indeksie. Część 1, w: tejże, Oryginalność awangardy i inne mity modernistyczne, przeł. M. Szuba, słowo/obraz terytoria, Gdańsk 2011, s. 203.
28. S. Küchler, Landscape as memory: the mapping of process and its representation in a Melanesian society, w: Landscape: politics and perspectives, ed. B. Bender, Berg, Providence, RI–Oxford 1993, s. 85-106.
29. D. LaCapra, Lanzmann’s „Shoah”: Here there is no why, w: tegoż, History and memory after Auschwitz, Cornell University Press, Ithaca 1998.
30. A. Landsberg, Prosthetic memory: the transformation of American remembrance in the age of mass culture, Columbia University Press, New York 2004, s. 20.
31. C. Lanzmann, R. Larson, D. Rodowick, Seminar with Claude Lanzmann, „Yale French Studies” 1990 no. 79, s. 97.
32. C. Lanzmann, Le monument contre l archive? (entretien avec Daniel Bougnoux, Régis Debray, Claude Mollard et al.), „Les Cahiers de médiologie” 2007 no. 11, s. 274, cyt. za: G. Didi-Huberman, Obrazy mimo wszystko, przeł. M. Kubiak Ho-Chi, Universitas, Kraków 2008, s. 124.
33. C. Lanzmann, Why Spielberg has distorted the truth, „Guardian Weekly”, 3 IV 1994.
34. P. Norra, Między pamięcią a historią: les lieux de mémoire, przeł. M. Borowski, M. Sugiera, „Didaskalia” 2011 nr 10.
35. M. Olin, Touching photographs, University of Chicago Press, Chicago 2012.
36. E. Panofsky, Et in Arcadia ego. Poussin i tradycja elegijna, przeł. A. Morawińska, w: tegoż, Studia z historii sztuki, red. J. Białostocki, Warszawa 1971.
37. Ch.S. Peirce, Wybór pism semiotycznych, przeł. R. Mirek, A.J. Nowak, Znak – Język – Rzeczywistość: Polskie Towarzystwo Semiotyczne, Warszawa 1997.
38. M. Rothberg, Between the extreme and the everyday: Ruth Klüger’s traumatic realism, w: Extremities. Trauma, testimony, and community, ed. N.K. Miller, J. Tougaw, University of Illinois Press, Urbana–Chicago 2002.
39. M. Rothberg, Traumatic realism. The demands of Holocaust representation, University of Minnesota Press, Minneapolis–London 2000.
40. S. Schama, Landscape and Memory, Fontana Press, London 1996.
41. K. Schramm, Landscapes of violence: memory and sacred space, „History and Memory” 2011 vol. 23, no. 1, s. 8.
click here to follow the link
42. R. Sendyka, Pryzma – zrozumieć nie-miejsce pamięci, „Teksty Drugie” 2013 nr 1/2.
43. T. Snyder, Skrwawione ziemie. Europa między Hitlerem a Stalinem, Świat Książki, Warszawa 2011.
44. S. Sontag, O fotografii, przeł. S. Magała, Wydawnictwo Karakter, Kraków 2009.
45. M. Tulli, Włoskie szpilki, Wydawnictwo Nisza, Warszawa 2011, s. 66.
46. A. Whitehead, Geoffrey Hartmann and the ethics of place: landscape, memory, trauma, „European Journal of English Studies” 2003 vol. 7, no. 3, s. 288.
47. A. Whitehead, Trauma fiction, Edinburgh University Press, Edinburgh 2004, s. 49.
48. J.E. Young, The texture of memory: Holocaust memorials and meaning, Yale University Press, New Haven 1993.
49. B. Zelizer, Introduction: on visualizing the Holocaust, w: Visual culture and the Holocaust, ed. B. Zelizer, The Athlone Press, London 2001, s. 1.
50. B. Zelizer, Remembering to forget: Holocaust memory through the camera’s eye, The University of Chicago Press, Chicago–London 1998.

Relation:

Teksty Drugie

Issue:

1

Start page:

103

End page:

126

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:59512 ; 0867-0633

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Free Access

Terms of use:

Copyright-protected material. May be used within the limits of statutory user freedoms

Digitizing institution:

Institute of Literary Research of the Polish Academy of Sciences

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Programme Innovative Economy, 2010-2014, Priority Axis 2. R&D infrastructure ; European Union. European Regional Development Fund

Object collections:

Last modified:

Dec 20, 2018

In our library since:

Sep 21, 2016

Number of object content hits:

1 094

All available object's versions:

https://ww.w.rcin.org.pl/publication/78435

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Edition name Date
Szczepan A. - Krajobrazy postpamięci Dec 20, 2018

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