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This publication is protected and available only for logged users.

Title: “Realism,” Embodied Subjects, Projection of Empathy

Subtitle:

Vol. 2 (2015) - Special Issue - English Edition

Publisher:

IBL PAN

Place of publishing:

Warszawa

Description:

21 cm ; Pol. text, eng. summary

References:

1. Ch. Baudelaire, “The Universal Exhibition of 1855,” in Baudelaire. Selected Writings on Art & Artists, trans. P. E. Charvet (Cambridge: University of Cambridge Press, 1972). ; 2. B. Buchloh; see his “From Faktura to Factography,” October 30 (1984, Autumn): 102-106. ; 3. W. Benjamin, The Arcades Project, trans. H. Eiland and K. McLaughlin (Cambridge, MA–London: Belknap Press). ; 4. S. Cavell, The Claim of Reason: Wittgenstein, Skepticism, Morality, and Tragedy, (New York–Oxford: Oxford University Press, 1999). ; 5. S. Cavell, “A Matter of Meaning It,” in Must We Mean What We Say? (Cambridge: Cambridge University Press, 1976). ; 6. S. Cavell, The World Viewed. Reflections on the Ontology of Film, (Cambridge, MA–London, 1979). ; 7. T. J. Clark, Farewell to an Idea: Episodes from a History of Modernism (New Haven–London: Yale University Press, 1999). ; 8. T. J. Clark, Image of the People. Gustave Courbet and the 1848 Revolution (Berkeley–Los Angeles: University of California Press, 1999). ; 9. G. Courbet, Exhibition and Sale of Forty Paintings and Four Drawings by Gustave Courbet (“The Realist Manifesto”), Paris 1855, quoted at http://www.musee-orsay.fr/en/collections/courbet-dossier/courbet-speaks.html, accessed August 30, 2015. ; 10. J. Crary, Suspensions of Perception: Attention, Spectacle, and Modern Culture (Cambridge, MA: MIT Press, 2001). ; 11. J. Crary, Techniques of the Observer. On Vision and Modernity in the 19th Century (Cambridge, MA–London: MIT Press, 1990). ; 12. Critical Realism in Contemporary Art. Around Allan Sekula’s Photography, ed. H. van Gelder and J. Baetens (Leuven: Leuven University Press, 2006). ; 13. M. Fried, Courbet’s Realism (Chicago–London: University of Chicago Press, 1992). ; 14. M. Fried, Four Honest Outlaws: Sala, Ray, Marioni, Gordon (New Haven: Yale University Press, 2011). ; 16. M. Fried, Menzel’s Realism: Art and Embodiment in Nineteenth-Century Berlin (New Haven–London: Yale University Press, 2002). ; 17. M. Fried, Realism. Writing, and Disfiguration. On Thomas Eakins and Stephen Crane (Chicago/London: University of Chicago Press, 1987). ; 18. M. Fried, “Thoughts on Caravaggio,” Critical Inquiry 24, (1997): 13-56. ; 19. C. Greenberg, Modernist Painting, in Greenberg, The Collected Essays and Criticim. Volume 4. Modernism With a Vengeance - 1957-1969, ed. J. O’Brian (University of Chicago Press, 1993). ; 20. S. Guilbaut, How New York Stole the Idea of Modern Art, trans. A. Goldhammer (Chicago: University of Chicago Press, 1985). ; 21. Gustave Flaubert – George Sand Correspondence (Paris: Flammarion, 1981). ; 22. I. Kurz, “Między szokiem a rozproszeniem. Przygody obserwatora w nowoczesnym świecie,” in Zawieszenia percepcji (afterword in the Polish edition of Suspensions of Perception; Warszawa: Wydawnictwo Uniwersytetu Warszawskiego, 2009). ; 23. D. LaCapra, Madame Bovary on Trial (Ithaca–London: Cornell University Press, 1982). ; 24. K. Marx, Early Writings, trans. R. Livingstone and G. Benton (London: Penguin Books, 1975). ; 25. K. Marx, Grundrisse: Foundations of the Critique of Political Economy, trans. M. Nicolaus (New York: Vintage Books, 1973). ; 26. Michael Fried in Conversation with Stephen Shore, in Stephen Shore (London: Phaidon, 2007). ; 27. K. Pijarski, (Po)nowoczesne losy obrazów. Sekula / Struth (Łódz: Wydawnictwo PWSFTviT, 2013). ; 28. J. Rancière, “From Politics to Aesthetics?,” Paragraph 28, 1 (2005): 13-25. ; 29. J. Rancière, “Notes on the Photographic Image,” Radical Philosophy 156 (2009): 8-15. ; 30. Ch. Rosen, H. Zerner, Romanticism and Realism: The Mythology of Nineteenth-Century Art (New York: Viking, 1984). ; 31. S. Wilson, “‘La Beauté Révolutionnaire’? Réalisme Socialiste and French Painting 1935-1954,” Oxford Art Journal 3 (2) (2008): 61-69.

Relation:

Teksty Drugie

Issue:

2

Start page:

147

End page:

167

Format:

application/pdf

Resource Identifier:

oai:rcin.org.pl:62217 ; 0867-0633 ; 10.18318/td.2015.en.2.10

Source:

IBL PAN, call no. P.I.2524 ; click here to follow the link

Language:

pol

Language of abstract:

eng

Rights:

Rights Reserved - Restricted Access

Terms of use:

Copyright-protected material. Access only on terminals at the Institute of Literary Research of the Polish Academy of Sciences, may be used within the limits of statutory user freedoms.

Digitizing institution:

Original in:

Library of the Institute of Literary Research PAS

Projects co-financed by:

Ministry of Science and Higher Education

Object collections:

Last modified:

Dec 20, 2018

In our library since:

Apr 4, 2017

Number of object content hits:

6

All available object's versions:

https://ww.w.rcin.org.pl/publication/81567

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